Swedish sculptor Cles Oldenburg created a magnificent & # 39; The Art of Installation & # 39; "Lipstick (Growing) on Milky Lines", 1969-1974. The masterpiece is set at Samuel FB Morse College, Yale University, New Haven, Connecticut.
Following in the footsteps of Caterpillar, the mysterious "Lipstick (Growing)" body consists of a 24-foot lipstick standing on the tank track, which the artist named & # 39; larvae. & # 39; Made of cost-effective raw materials, Claes uses plywood on the base of the track and the top of the red vinyl balloon to fill it for better visibility and focus. He used Cor-Ten steel, steel, aluminum, cast iron resin, which was painted with polyurethane enamel. Measuring Good 23 & # 39; 6 "x 24 & # 39; 11" x 10 & # 39; 11 "(7.2mm by 7.6mm by 3.3m), Stuart Wredd and Yale School of Foreign Affairs students submitted the artwork in January 1969.
"Lipstick (ascending) larvae" was originally placed on May 15, 1969, at the Yale University Beinecke Plaza (Hewitt Quadrangle), to be opened in 1974. October 17. an orange lipstick, mounted on a large steel base, lined with rust-colored lugs, drew a large crowd and surprised Yale. It was Oldenburg's first monumental public sculpture.
Huge works of art symbolize the anti-war moods of art school students. As a gesture of goodwill, everyone from Yale, directly from his students, faculty, and alumni, contributed to the value of construction. In harmony, Oldenburg was also charging a lipstick on the "Paths of the Crows" (growing). " He called the group a secret installation work, as Connecticut's Colossal Keepsake Corporation. Claes decided on Beinecke Plaza as the location.
After all, the corporation legally represented Yale's works of art. Vorsent Scully, a professor at Morse College, commented softly. «Beinecke & # 39; s a natural addition to the dressing table. " At the end of the Vietnam War, the rebel influence became even more vocal in the College of Art. Cales Tank Type Base & # 39; The "Lip on Lip" (growing) lipstick "was used as a rally platform, and the installation was then loaded with posters and engravings. 1970 In March, the wooden traces of the installation were rotten due to environmental impact and abuse. Oldenburg moved the sculpture to its construction site in North Haven. The following year, historians and art lecturers decided to bring it back to college for its latest installment.
Even today Morse College students are inspired by a mysterious monument. Yale students say: "A mother without lipstick is like Yale without rudeness (minus the bells)."